This song came from a twitter feed. Being a librarian, the words “IMA READ” act like a sign post for “please investigate.” It turned out to be a music video for a song which had blown up over Paris Fashion Week, specifically Rick Owen’s show. I won’t recount the shock this video first registers. The thing is pure unadulterated menace and cool.
With the slightest bit of internet digging, it comes to light that the song is not specifically a misogynist chant, but the work of a ballroom scene traveler and artist Ojay Morgan, who created the alter-ego of Zebra Katz for his musical projects. At least to Morgan, to read someone is a high form of insult. Basically, making the other person a passive object to be taken in and dismissed in the face of one’s own place. Interestingly enough, the thing also came from a college experience:
The song has always been my self-mantra—it’s just something I would always say to myself as a joke, because I took this class called “How To Read A Play,” and I couldn’t stand the teacher, so I was always like “Ima read that bitch.” -Zebra Katz, Zebra Katz is Booking It
Namely, the song primarily seems to be in the voice of a teacher. Someone who from their own knowledge can quickly sum up and judge:
That really helped make it a song that you can pay reference to, even if you don’t know anything about ball culture—hopefully you went to school, then college, then at that point, hopefully you would write a dissertation so you can excuse your shit! -Zebra Katz, Zebra Katz is Booking It
The requirement of “reading” someone, and specifically “taking them to college” implies both violence and education, and the powers that it grants. Nothing so dire came of Morgan’s classroom experience, but the song highlights those fraught relationships anyone can feel in a classroom: when the students are bored and feel unchallenged, or feel that the teacher looks down on them, and the instructors saddled with curricula they dislike but have to deliver, or shoehorn previous work into, or feel that their students are in fact, facebooking, text-message spewing ignoramuses. Whatever the reasons, as a librarian, your heart goes out to both sides as they work out a difficult student-teacher relationship as the tensions escalate faster than we can breathe the words “critical literacy.”
I was glad to read that Morgan saw the value in education despite the violence it can unwittingly do, so he can write a dissertation and excuse his own shit. In any case, Morgan dropped the R-word and the C-word in another interview, and it goes a long way in making the song make sense, and even, to him, a funny self-mantra from his college days:
“When the song hit Paris, it completely skyrocketed,” Mr. Morgan said. “All these people in the fashion industry that I looked up to had to listen to that song, and I knew a lot of people weren’t going to get the context right away. You have to do the research to get what I’m saying.” -Eric Wilson, You Have to Know the Context
Libraries and librarians can always help create a context for education, and even if it’s not a pretty one, often knowing it goes a long way to help all of those participating in higher education. And the only way to get the context is to do the research, both for the class and about the class, to understand the content and the form of the classroom and the school. This is why we are the archive that can help critique a canon. You can’t take someone to college until you give yourself some knowledge. Ima Read, Ima Read, Ima Read.